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FEATURES
     Journey toward understanding
     Life's work brings still another reward
VALLEY
     'One-stop shopping,' fitness facilities top JCC priorities
     Women's group sponsors breast cancer program
     Red Cross opens center
NATION
     ACLU, city wage battle over seal
WORLD
     Five years after Oslo, peace still waits
     Nova Scotia Jews help relatives cope
     Polish extremists seize control of ongoing debate over crosses
     Russian Jews weigh emigration amid deepening economic crisis
ISRAEL
     Mideast feeling disillusionment on 5th anniversary of Oslo pact
OPINION
     Editorial - Bubba and baseball
     In the Mail - Letters to the Editor
     Marty Latz - Film character's story parallels our history
     Commentary - Judaism can learn from what McGwire has done for baseball
ARTS
     Living on the fringe
BUSINESS
     Israel fast becoming a high-tech powerhouse
GETTING ALONG
     Nancy Brody - Deal with problems when they surface
JEWISH FAMILY & LIFE
     Yosef Abramowitz - Like Judaism, baseball is best when shared by generations
TORAH STUDY
     That's the circle of life

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Living on the fringe

Director recalls growing up in 'Slums of Beverly Hills'

NAOMI PFEFFERMAN
Jewish Journal
LOS ANGELES - In Tamara Jenkins' debut film, "a loose bleeding of memoir and fiction," teen-age Vivian Abramowitz, portrayed by Natasha Lyonne, is schlepped from crummy apartment to apartment on the fringes of the richest city in the world, circa 1976.

The family lives in Beverly Hills for the schools, but Viv's adolescent angst is exacerbated by the fact that she's poor in the quintessential wealthy Jewish suburb. It doesn't help that she has to shop for her first bra with her divorced, used-car-salesman dad (Alan Arkin). Or that her growing chest is the subject du jour in her all-male home.

So what was it really like, growing up on the wrong side of Beverly Hills, 90210?

"It gives you a profound inferiority complex," says the tall, raven-haired Jenkins, 35, whose protagonist has been dubbed a female "Portnoy" by critics. "As a kid, I wondered, 'Why couldn't we be like everyone else? Why couldn't we be normal?'... And in my film, I wanted to explore how that mirrors the inferiority a teen-age girl already feels."

"Slums of Beverly Hills" took Jenkins back to her childhood stomping grounds, where, during pre-production, she scoured the city for the kind of boxy, run-down apartments she once called home. They were 1950s "dingbat" buildings with fancy names (The Paradise, Casa Bella) that "promised the good life but were really decrepit dumps."

Jenkins' childhood defied any pop-culture stereotype of the Jewish family, she reflects. Her late father once owned a Philadelphia strip joint where her mother was the hat-check girl. When they split up, 5-year-old Tamara moved with her dad and two brothers from the East Coast to a tacky bachelor apartment in Beverly Hills. The decor included shag carpeting and lighting fixtures that looked like rejects from the set of "Star Trek." It was hardly the "Goldina Medina," but, Jenkins believes, her outsider's perspective turned her into an artist.

By the time she was 23, she was living back East and creating performance-art pieces about her family. By the mid-1990s, Jenkins' short films were earning recognition at Sundance; "Slums," in turn, was originally developed at Sundance's prestigious Director's Lab.

Carl Reiner signed on to play Viv's rich Uncle Mickey, and Marisa Tomei stars as Viv's lovable-loser cousin Rita. Lyonne, who wore breast prostheses to portray Viv, reportedly prepared for her role by wearing platform shoes and crying to Carole King's "Tapestry."

"Slums," Jenkins hopes, presents a new spin on the coming-of-age tale.

"I've spent so much time watching movies about boys and their adolescent issues," she says. "So I hope people find it compelling to watch a rite-of-passage story that is told from a girl's point of view."

Naomi Pfefferman is the entertainment editor at the Jewish Journal of Greater Los Angeles.

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