“kaddish.com”

Nathan Englander

Alfdred A. Knopf

The simplest response to being taught the story of Jacob and Esau as a child is to wonder which of them you are. Are you sensitive, thoughtful Jacob, who cleverly acquires his brother’s birthright? Or are you the virile, dull Esau, a physical genius who gives up his birthright for a bowl of lentil soup?

The answer, as Nathan Englander posits in his newest novel, “kaddish.com,” is that you are, in fact both.

It’s 1999. Larry, who left the Orthodox Judaism of his family, arrives sullen, surly and (worst of all) tattooed to his father’s shiva, held in the house of his sister Dina.

Following the predictable clashes, Larry is cornered by Dina and their religious betters with a request. Will Larry take on the responsibility of saying Kaddish for their father? A rabbi steps in to offer a solution: what if Larry found “a kind of shaliach mitzvah — like an emissary. A proxy to say it in your stead.”

Though he loved his father dearly, Larry is more than ready to give up his birthright. He stumbles upon kaddish.com. The site offers its customers the chance to pay dedicated yeshiva boys to say Kaddish on your behalf for the requisite 11 months.

What’s an Esau to do? He signs a digital kinyan, symbolically giving away his right to the Kaddish. If the book ended right here, it would have already been an excellent read

But there’s too much of Larry’s story left to tell. Twenty years later, Larry is now Reb Shuli, a ba’al teshuva who uses his former life as a cautionary tale for whoever happens to crowd his Shabbos table that night. He’s a rabbi, a teacher, a husband and a father, and he couldn’t be happier. With regards to the story, Shuli says, “I only share it to say, it’s never too late to live one’s true life.” 

We’ve spent too much time at Shuli/Larry’s nadir to believe that this is his one “true” life, whatever that means. Soon, he’s tasked with finding the root of some un-yeshivish behavior from a pre-bar mitzvah boy in his class. He comes to a terrible conclusion: though he’s been saying Kaddish for his father all these years now, the kinyan he signed away renders his prayers irrelevant. Shuli soon finds himself consumed with a need to re-obtain his birthright. 

Englander’s sense of humor and willingness to wallow in Shuli/Larry’s basest moments aren’t out of the ordinary for him. 

One quibble. Though the title seems to promise a more thorough interrogation of what the internet has done to Judaism, Englander seems to want to let the reader do the work when it comes to the web. This task feels not unlike the experience of furiously Googling for a single result, only to be stymied by a simple fact: you’re gonna have to figure it out yourself. JN


 

Collection of plays explores playwright 

Selah Maya Zighelboim | Contributing Writer

The Collected Plays of Chaim Potok”

Edited with an introduction by Rena Potok; contributions by David Bassuk, Carol Rocamora and Aaron Posner

Adam Kadmon Books

Fans of Chaim Potok, author of the bestselling “The Chosen” and “My Name is Asher Lev,” now have a chance to explore another side of the late novelist’s work.

His daughter, Rena Potok, has compiled five of her father’s plays in a new book, “The Collected Plays of Chaim Potok,” which came out

in October.

Born to a Chasidic family in New York, Potok came of age during World War II, then went on to become a Conservative rabbi. He served in the army as a chaplain in South Korea, where he found that Judaism, so fundamental to his identity, had no place in that culture.  

This collection includes “Out of the Depths,” an original work about Russian Jewish ethnographer S. Ansky; “Sins of the Father,” a combination of the two one-act plays “The Carnival” and “The Gallery”; “The Play of Lights,” based on “The Book of Lights” about two young Jewish men serving in Korea; and “The Chosen,” based on the novel of the same name about a friendship between two young men during and after World War II. 

The collection also includes a transcript of an “Out of the Depths” post-performance panel discussion with Potok, which is probably the most fascinating section of the entire book. 

An introduction written by Rena Potok connects Potok’s life to the plays’ themes and analyzes how each explores his ideas.

These additions elevate the book from simply a collection of plays to an in-depth look at the author himself.

In both his novels and plays, Potok’s protagonists struggle with what may be the biggest question of postwar 20th century American Jewish life: How do you live in a secular world without letting go of your Judaism? 

Relationships between male friends and between fathers and sons serve as another important theme to Potok’s writing. Fathers play important roles in symbolizing one side of the cultural confrontation, while friends serve as confidantes in the midst of this conflict and even sometimes as narrators. 

Overall, the collection is intellectual and will provide plenty of material to muse on. If you’re looking to better understand Chaim Potok, this collection is a good place to start. JN

These articles originally appeared in the Jewish Exponent, a Jewish News-affiliated publication.

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